jonattonyeah this record is important because the person who made it was gender neutral from 1994-97”
Lol
jonattonyeah this record is important because the person who made it was gender neutral from 1994-97”
Lol
…as a genre, its aged terribly eh?
Unbroken1 yup, although the bpm’s today are head noddingly slow. so it’s always refreshing to listen to something north of 126 from time to time!
Swing yer pants
Smallman1 less we forget Hixxy too
SM001 I’m afraid Merciless World of Trance gags are for the exclusive use of myself and Millsy - me on the basis of actually owning it and Millsy for the gags around it.
The Merciless World of Grant.
Lol
Still love this- bit of guilty pleasure.
Along_the_Wire Blow it out your bollix, Grant.
alistair …the early Euro stuff was the only ‘trance’ I appreciated (and bought) tbf, Jam & Spoon, Cosmic Baby, Eye , Dag, Harthouse, Dance 2 Trance etc. Doesn’t alter the fact that much of it it isn’t particularly inspirational listening back now.
‘Stella’ was a high point… and there wasn’t much really innovative stuff after ’93/4 (Hardfloor and some of the Zoom stuff was classified as ‘trance’ after that time, but isn’t really what we’d categorise it as today).
In the same way a lot of the early prog still sounds decent, but the faster, trance-ified stuff that came later sounds really fucking dull now.
ScottBailey …it’s not just about BPM’s either IMO. A more moderate BPM just makes house/trance/techno more accessible and means you can mix and match different styles more readily.
I can appreciate a fast house/techno track when it works at that BPM, just felt like a lot of that stuff HAD to be fast to really work (and for the drugs).