BlainSA Go and wither in a corner with your Jeff Mills drivel. Whenever the Baguio Track kicked in at Bedrock everything kicked into place. You wouldn’t understand because you weren’t there. A proper Bedrock moment. I feel for you Zack.
Don’t worry, it’s just Zack being an absolute thalidomide as per.
He’ll scuttle off into a corner after calling you a ‘beta’ or a ‘cuck’ or some other totally worn-out Yank phrase typically lobbed by people who are ‘betas’ and ‘cucks’ themselves.
Dave and Baguio Track: file under Low T
Dave going full alpha, cap doffed.
Sasha’s 2000 EM better than his 95 mix? The amount of wronguns that post on here would make you sick.
ScottBailey Reminds me of Sasha dropping two copies of Mercury & Solace at Fabric to have a double drop of the main break. I can’t believe we were so amazed by another 12 seconds or so. Son of God etc.
This is a cracker too
She’s like an 8 year old who had one too many juice boxes.
BlainSA that must have been awesome!
ScottBailey Well, that was the great thing about fabric at the start. There weren’t any grills between the DJ and the crowd so you could see everything. So there we were, just out of school, learning how to properly mix and watching the tricks he did when mixing. The thing that got me the most was when he used to flick the bass on full and the sound would just fill the room up. Never saw anyone else stick the bass on 10 there. I didn’t even think you could do it.
The Baguio Track (Original) is an absolute choon.
Where you’re going wrong is picking the Bedrock mix.
This is prob going to be controversial on here, but I find too much of San Francisco Disc 2 to be one-dimensional and a tad dull: ‘Clarkness’ to ‘Change Me’ feels like an extended period of relatively seamless filler.
Clarkness is a great track, but it’s cheesy trance really, not POWER PROG ™.
Not sure I’d describe it as cheesy trance. I just think that whole middle bit of SF Disc 2 is completely skippable.
Agreed, but I do love Change Me
hugopal The Baguio Track (Original) is an absolute choon.
Bang on. A proper face melter when it dropped. One of those E tunes where you’re absolutely peaking and you can’t dance properly, one eye open, kinda swaying from one foot to the other, clasping your hands, looking around to see if anyone notices how off your face you are, the crescendo of the track with that vocal making you breathe like a bear with rabies. I’m gonna play it now just to take me back.
