jonattonyeah MEH LIVE SHARED MIXES
Personally, I have never liked these Essential Mixes where you get 2-3 djs, sometimes only for 45 minutes. Totally pointless, annoying, Tongy almost always muscles in somewhere with a shite set of his own (my opinion has always been great radio dj, shite club dj).
I much prefer the studio mixes.
JTY should be downvoted for using the stupid American dating system.
Only cardinal date format makes sense, anyone who can program knows that.
Dates amended. Never crossed my mind TBH.
And, yes I listened to most of them. Some I couldn’t find so relied on the tracklist. Some I did some skipping through as I cannot handle Sasha I mean Danny Rampling going full handbag for two hours.
Masturbatory = Self-indulgent. Like, oh hey I’m on the biggest house/techno dance music show on the planet…time to break out the bossanova records!
And if you think the groupings are a bit odd, I found the difference between number 14 and number 28 to be pretty marginal. So thought putting them in general categories and ranking within made more sense.
Trying to figure out if I should do 2001 or 1999 next.
1999 was a proper boss year for POWERPROG, do that!
Alright. I’ll do 1999 next week.
jonattonyeah Something even better could be a listening club. Each day you post up an Essential Mix and tracklisting from back in the day (a decent variety of house, techno, trance, POWERPROG ™, breaks etc). Everyone who wants to join in listens to it and gives their comments on how boss it is.
Given how restrained and mature we are, as well as so willing to listen to other points of view, that should work a treat…
Curated by Jonattan. Heavyweight modding by Homegrove.
Good to see 303 still riding the reg express!
Let’s launch our own version of Tim’s twitter listening party 
jonattonyeah Laurent Garnier - 30/1
Thats Numberwang!
jonattonyeah Just listened to it on my afternoon bike ride. That took me back. I used to listen to it on my mini disc player. Picotto is such an odd guy. He never really played in techno line ups, and he quickly turned his back on the style all together, which really makes me question how much he ever knew about the whole thing. I remember there being a story about him unplugging everything from the mixer before handing over to Carl Cox at some festival, which lead to things getting heated. No idea if it true. Mauro always had a very unique techno sound. Somewhere between detroit and schranz techno.
