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303abuser as for the ms20, yeah, i think you may have recommended it. it’s been good to learn on, the filters are amazing, and i really like the sound, but i find it a bitch to tame. all of my favorite patches are really tough to get to sit nicely the mix. i’m going to give it a real shot over the next month before i decide if i’m going to sell it or not.
You’d be a fool to sell that thing. It’s a classic synth for a reason.
Compression is your friend, as well as subtractive EQing. Roll off the bits you don’t need in EQ. …Or use a plugin such as Soothe2 to smooth out the resonant peaks. Add a bit of limiting too to even out the sound variation. The filter is a dirty evil beast of a thing, but you can also coax more tamed sounds out of it too. I mean, the keys player from Arcade Fire uses one all the time and their stuff doesn’t exactly scream and squelch. Using the MS-20 for bass alone is a no-brainer.
Good synths take work to get to fit into mixdowns properly. That comes with time. I really didn’t start becoming adept at mixing until about ten years into the process - even after I’d actually released music on vinyl. These days that can be reduced drastically by all of the information available online.
There’s some really good tutorials on the YouTubes about patching ideas for it. That may give you some more inspiration. Where it gets really wild is when you patch in something through the External Signal Processor section.