Dan thanks for the suggestion - this may well be it, speeded up. It comes in at about 5.04 of the immense ALFOS 21.2.20 show. I’d love to know whether it’s this, which Sean Johnston then slammed a load of effects over, or whether it’s some other ((back in the day?) remix. Probably the former but thanks all.
KLF
Having adjusted my search criteria I think what I’m banging on about is actually a sound a like - Lifelike &Kris Menace. Sounds decent in the right context though ((very much so!!)
303abuser Thats where the loss of record shops has been massive- they were the filters, picking out the best tracks based on years of knowing your tastes. Plus a producer putting something to vinyl vs a file is another tollgate to assess releasing the track.
IndustryStandard the other problem is that the filter function you mention from record shops has now been replaced by bloggers, play-listers, and influencers who don’t have a clue. i can’t tell you how much i loathe sending new tracks to these people in hopes they share them in some way. i never request feedback, but sometimes i get it anyways and it’s always non-sense; people trying to sound knowledgeable about production when they really just mean to say they don’t like it. the whole thing is ass backwards.
on a side note, i met one of my good friends 20 years ago buying records from him. i’d have to limit how many records he’d set aside for me because he knew me so well that i’d want all of them. that filter function was really helpful, but aside from that, i miss the tangible experience of going down there every tuesday for shipment day.
Same. We had a spot here in SF that got deliveries of imports on Thursdays. Was there every Thursday. Might sound silly now, but I remember when they got Black Legend “You See The Trouble With Me” in stock (well before it became a huge hit) and they put it on the decks. Everyone was clamoring for a copy. Good times.
jonattonyeah those were good days, the social experience was as big a part of record shopping as the records themselves.
One of the reasons Sasha and Diggers built such a strong rep in the States is them always hitting up the local shops. Halo’s “Future” had been around for a bit on White Label in Tweekin’ and other stores but never made much traction. It was looked at as a rip-off of “Fathers Of Sound - Water” before it got picked up by Siesta and then Hooj. Tyrant smashing it out changed a lot of things. Point being, those two invested in local music, like the SF “West Coast Sound”, as much as they benefited from it. Back when different cities had different styles of dance music.
jonattonyeah lots of great san fransisco djs from that period too. mark farina plays here every canada day still and he’s as good as ever.
Sun kissed records was florida though I think. Had a few records on that label.
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SF had and has a very strong breaks scene. Miami was more tied to Hip Hop (think DJ Icey) where the West Coast thing was more Acid and trippy (think, “Loose Caboose” or Simon’s “Two Crates”; Uberzone if you head down LA-way). The blending with Prog around here came with the Hardkiss brothers (think, God Within “Raincry”).
Trippy House and Breaks have always ruled the roost in the Bay Area.
Mark Farina made his name as much with his House as he did with his Mushroom Jazz discs if that gives any perspective (tremendous DJ, mind). Even the more recent exports like Dirty Bird have had a left of center and humorous approach to dance music. That’s just how it’s always been around here. Weird, funny, trippy, and danceable. Same can be said for Bay Hip Hop - always weird and humorous.
This was an excellent place to be in the late-90’s.
EDIT what a monster this is…
3 months later
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Solid State Logik 2 is up on YT Music and Spotify.
There was also a new mix of Chill Out called Come Down Dawn released in Feb