Anyone here use Mixed in Key SW with their standard DJ SW?
Seems a bit like overkill to use both Rekordbox & Mixed in Key, given RB has it’s own key ID system.
Having said that, I’m keen on anything that can make my mixes less unpleasant, would be interested to hear any experiences of using both (or with Traktor etc…) and whether there’s any advantage?
Nice one.
Cyril
I use it. Massive hassle but it’s very useful. Sometimes it can get it really wrong tho, so I’d only recommend using it for djing once you’ve hit a dead end when hunting for a tune for a mixtape.
Cheers Zack. Interesting you say it’s a massive hassle, that’s something that isn’t mentioned in their promo material 
Rekordbox is solid in my view, but the odd mistake is easily recognisable
Mad_Cyril It may be simplified by record box and tractor, but thats just a guess. I use ableton to dj, and there is no seamlessness between that and mixed in key. I color code all of my tunes to match the Camelot Wheel, which makes it easier, once I’ve gone through the initial process of loading, reviewing, and editing all of the tunes in Live.
I don’t disagree. At the same time, I feel almost obligated to use it bc I am djing with ableton. Once the beat matching is taken out of the equation I feel compelled to do more with the available time.
Along_the_Wire I’m not sure if we discussed drifting bpm on the RX2. Its still on the XZ but apparently you need too analyse the tracks in normal not dynamic mode. dynamic mode is apparently for live drum/analogue recordings.
apologies if this is not something we have discussed!!!!
baggers44 Nice one - I shall make that adjustment. Not set up the XZ yet as I’ve been away, but glad you’ve mentioned that - I’d be well fucked off with the drifting
baggers44 I had it on normal already 
Mad_Cyril If you arent playing out to a crowd, then just get creative for now, play tunes that you think sound good together, get involved with interesting transitions and the like, worry less about the key and aim for interesting. You can worry about the key stuff once you start to get a bit more advanced or ambitious. Remember, you can pitch shift tracks if you need them to fit, but things like chord progressions, bass lines, miss matched percussions, clashing vocals etc can stop two tunes going together as much as key.
Thanks Amps.
I dont spend hours listening to tunes, so every little helps. Especially when practicing mixing.
Also happy to freestyle a bit, and would agree is more fun
303abuser Aye….like most things there’s a load of ways to do it right. I reckon some plan the mixes almost to the phrase or beat, trying a multiple of combinations, mixing points, key combinations which is one way to do it if you are that way inclined. With the visual track layout it is so much easier to see what is coming - the real difficulty was in achieving smooth mixes with vinyl without endlessly listening to the tracks - endless surprises or too long extended transitions with not much happening when you linked a long outro with a long intro ……..so hats off to those who can mix vinyl well because the skill set is at another level i reckon.
It’s almost unthinkable to me to mix vinyl, but I’m going to give it a go with a single deck to play some of my classic vinyl - just for the fuck of it though more than anything. Also it helps justify the outlay of the XZ and using at least one more channel…
Having used both vinyl & digital. Vinyl is a lot harder as baggers has said. you really need to know your records. Finding that first beat or sound, counting beats, bars & phrases in your head is so much different than having the screen in front you so can see the make up of each track. With digital though you can be so much more creative. Setting cue points or looping the last 4 or 8 bars of a track so it never runs unlike vinyl.
