He comes down to Worthing quite a lot. My friends love him but they do listen to Radio 1

Bumped into him in the urinals by the baggage carousels at Terminal 5 arrivals. Globe like afro, trandemark hat. Was about to shake his hand and then thought better of it.

Is that Dave Benson Phillips?

Or that happy chef, Ainsley Harriot

Lenny Henry and Dawn French

To be fair, it looks like a cracking punch - weight nicely on the front foot as he’s followed through - textbook.

    Goddamn that punch. lol.

    Had no clue this existed, but sounds like an absolute nightmare. When people on here say, “too dangerous”, “the area is shady”, this is all just a euphemism for “stay away from the blacks”, I’m assuming.

      BlainSA Some tracks he doesn’t mix because they shouldn’t. E.g. drops a dnb track after house or even some soul number.

      Right. So I could basically do that. And, when I saw him, he didn’t exactly play stuff that was blindingly original, he just played tons of records I already have (for example, Unfinished Sympathy as mentioned).

      So what’s the point of Norman Jay?

          The records I didn’t have were absolute dogshit as well, for example ‘No, No, No’ by Dawn Penn.

          At one of the carnivals I went to he played Dooms Night no less than 60 times in a one hour set. Arise Sir Jay of Ledgeland!

          Don’t think I’ve ever even listened to Norman J let alone been to see him.

          I have actually heard him play Dooms Night.

          On the old Space Terrace too.

          Same here. At the Cross. Obviously plays it in every set. His own remix