its a great cultural event
Carnival
Is that Dave Benson Phillips?
Or that happy chef, Ainsley Harriot
Lenny Henry and Dawn French
Ebony and Ivory
To be fair, it looks like a cracking punch - weight nicely on the front foot as heâs followed through - textbook.
Along_the_Wire lol. He twisted her camel toe back to the Sahara with that hay bailer.
Goddamn that punch. lol.
Had no clue this existed, but sounds like an absolute nightmare. When people on here say, âtoo dangerousâ, âthe area is shadyâ, this is all just a euphemism for âstay away from the blacksâ, Iâm assuming.
BlainSA Some tracks he doesnât mix because they shouldnât. E.g. drops a dnb track after house or even some soul number.
Right. So I could basically do that. And, when I saw him, he didnât exactly play stuff that was blindingly original, he just played tons of records I already have (for example, Unfinished Sympathy as mentioned).
So whatâs the point of Norman Jay?
The records I didnât have were absolute dogshit as well, for example âNo, No, Noâ by Dawn Penn.
At one of the carnivals I went to he played Dooms Night no less than 60 times in a one hour set. Arise Sir Jay of Ledgeland!
Donât think Iâve ever even listened to Norman J let alone been to see him.
I have actually heard him play Dooms Night.
On the old Space Terrace too.
Same here. At the Cross. Obviously plays it in every set. His own remix
To be fair to him, Dooms Night is obviously bass heavy so works well off a carny float to 1,000 idiots off their beans on Red Stripe and goat curry. Not several times in one set mind you.
