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[deleted] no, all of it. disco was the pop music of its day. if you can’t see this, you need to go back to school.

I know that in its day some disco was pop music, and some pop music was disco. No idea what the fuck it has to do with whatever you’re blabbering on about though.

[deleted] This is why prog house failed.

It “failed”?! It did too well to be labelled a failure.

[deleted] the best techno is mutant alien pop

This is wrong, but again, not sure what it has to do with anything anyway.

    bosstrabs Into the weeds we go…

    Surely while “suaving the Gyaldem” you’d rather be getting “into the weed” .

    Total longshot and vague description but can anyone recall a speed garage tune from about 97-98 that has a vocal in it that went something like “Fever…you give me fever… fever”? Was played quite a bit at the time - remember John Kelly and Judge Jules both playing it.


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      hugopal

      It “failed”?! It did too well to be labelled a failure.

      Absolutely, everyone stopped making it after around 2001, and quickly jumped ship to tech house and mnml when they realised they were just making [paul van dyk without breakdowns. The Dutch and German cheese merchants had more integrity in this regard than the south coast numpties.

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        hugopal

        This is wrong, but again, not sure what it has to do with anything anyway.

        No UFOs, Big Fun, and Good Life would like a word!

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          [deleted] No UFOs, Big Fun, and Good Life would like a word!

          No UFOs is as much an electro tune.

          Big Fun and Good Life always sounded as much house as techno (I’ve had that discussion on here before - Saunderson was always the least ‘techno’/most house sounding of the Belleville Three and had more of an NY influence to his sound than the others).I also find Good Life a bit cringe, while Big Fun is touch and go.

          However you spin it, I don’t see how they can be labelled “the best techno”.

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            hugopal cubic 22 - night in motion.
            Ravesignal 3 - Horsepower.
            Praga Khan - Injected with a Poison.

              [deleted] Absolutely, everyone stopped making it after around 2001, and quickly jumped ship to tech house and mnml when they realised they were just making [paul van dyk without breakdowns.

              Everyone stopped making disco at the start of the 80s, doesn’t mean it had “failed” either.

              Tech house and minimal also both died much quicker than prog had when people realised they were just making dull music.

              “Paul van Dyk without breakdowns” isn’t really a diss either, PvD had some excellent moments in the 90s. Long breakdowns also get in the way of dancing, while supposedly you are claiming to be an advocate of ‘dance’ music.

              [deleted] The Dutch and German cheese merchants had more integrity in this regard than the south coast numpties.

              The Dutch and German cheese merchants briefly jumped on the electroclash fad as well, before mostly abandoning any kind of dancefloor sensibility in the pursuit of pop crossovers / radio play, together with generic stadium filler. Don’t see how that has any more to do with “integrity”.

                I haven’t listened to any of them but i imagine some of those garage videos to be real treats for the ears

                  seanc80 lol at you giving them the time of day. I see Dave or Alistair post a YT music clip, I S to the werve, big time.

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                  mike ink and walker - Church of the Poisoned Mind

                  which is obvs a reference to this.

                  [deleted] that Praga Khan track is cheese.

                  Ravesignal 3 is good but sounds both the most ‘techno’ and the least ‘pop’ of the lot.

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                    hugopal

                    Everyone stopped making disco at the start of the 80s, doesn’t mean it had “failed” either.

                    No they didn’t.

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                    hugopal

                    The Dutch and German cheese merchants briefly jumped on the electroclash fad as well, before mostly abandoning any kind of dancefloor sensibility in the pursuit of pop crossovers / radio play, together with generic stadium filler. Don’t see how that has any more to do with “integrity”.

                    Exactly! thanks for proving my point. They were pop, and logically followed the path they embarked on.