To my mind, I would kind of expect him to use Bedrock’s current releases on Transitions, but he does it so frequently and with music that is consistently sub par that it really grates. I think the bigger problem with Transitions is that he combines it with consciously playing filler tunes that are clearly D grade tunes, keeping the better tunes for his live shows. All for reasons I understand from a business mindset, but all of it really just demonstrates that it is just about the money and he is going through the motions. Over the years, the business mindset that him and other DJs at that level has consistently stripped away the elements that made it interesting and exciting.
Bunker 49
Yeh true. You look at his tracklists for transitions and compare it to his live sets and there’s hardly ever anything.
Where as if you listen to the early kiss fm mixes he and sasha did it’s all out guns blazing, best tunes in the box.
Maybe had to be near home this weekend. Personal engagement.
A couple of years back I had a meeting with a very famous DJ. He told me that he had moved out of London because he was sick of flying around the world every weekend just to pay off his credit cards, so sold his place in London and got a place in the country. I could understand him moving out of London as he has a wife and kids, what surprised me was that he had credit cards and racked up debts on them, WTF was he spending money on? But one thing is for sure many of them now just treat it like a job and are just keeping a career going to pay mortgages, school fees and luxuries etc
Cankles-McJeggings Swing and a miss, Derm.
My heart sinks when I see a tracklisting just filled with a DJ’s own productions. Pointless endeavour. Negates one of the main facets of being a DJ.
Never been a touring DJ of course, but It doesn’t surprise me, I guess. Maybe it is more to do with lack of skills in managing money? I suspect the lifestyle also promotes a sense that you can blow money because there’s always another gig and you then enslave yourself to that cycle. See also the “DJs begging’ thread for examples of DJs that don’t think about what happens when you get older and need savings and a pension to fall back on.
ScottBailey Sasha looks like fuckin Pitbull
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ScottBailey since I found out from a very reliable source that from a production point of view at least, Auntie John is actually mostly Nick Muir in disguise it has ‘coloured’ my opinion of him slightly too 
Dubman I kinda agree with this, surely if you are a DJ producer then as long as you have the necessary skills, everyone should really be their own favourite DJ. It’s a controversial opinion I guess but at least as a DJ, if you have integrity rather than a need to be liked, you will play the tracks that you like rather than the ones you think everyone wants to hear. Maybe it’s naivety on my part but isn’t this what primarily separates business from art?
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SM001 some DJs do this as standard, I’m thinking of artists like Babicz, Nthng, really often play sets consisting of nothing but their own productions - Is it self indulgent? Not sure I agree - When I’m listening I’m not thinking ‘FFS, Play something else’
ArchimedesQ
Exactly. If it’s good enough then why not I say.
ArchimedesQ Maybe now, but the stuff they released together years back was way better than the stuff NM did on his own.
ArchimedesQ Babicz & Nthng are artists first. I wouldn’t consider them DJ’s.
ArchimedesQ if you have integrity rather than a need to be liked, you will play the tracks that you like rather than the ones you think everyone wants to hear.
Reminds me of an interview with C Richards where he was being led by the journalist with the question, ’Do you read the crowd when you’re choosing your records?' as was the popular question to DJs at the time so they could say about how they adapt their sets accordingly. He shut that shit down and said, ‘No, I play whatever I want to play.’ lol