ArchimedesQ It was horrific. Auntie John is a glorified snake oil salesman. He is rapidly becoming an irrelevance yet somehow still afforded demi-god status by people based on long past achievements. Check your watches ffs, it’s 2023

Yep him and Sasha are both well past sell by now.

    I bet the live chat was full of sycophants gushing at every mix & every track he played.

    Quite liked the T-shirt with just a B on the left in the early days. Should bring them back.

    • erik replied to this.

      Dry-Tinder but to me clubbing was more about looking decadent and individual

      Did you have a penchant for silver trousers, a cheeky grin and once tried to break into Hollywood with a fake video of you knocking someone out?

        Dry-Tinder whatever he has done to his face to make him look like Bagpuss

        Lol, good looky likey

          Has someone still got that pic of bald Sasha and mullet Digweed that they seem to have successfully deleted from the internet?

            ArchimedesQ I was a bit bored with the music last night tbh. To play ALL Bedrock stuff when Bedrock really hasn’t put out much to shout home about recently gave it a bit of a late night shopping channel feel for sure. He’s still my favourite DJ, but he lost me as a listener of his Transition shows years ago. Just sift through the tracklistings now for the odd gem that might appear, but rarely does.

                ScottBailey Close. It was the one post gig with Sasha giving this deep stare. Around the same time.

                  BlainSA out of 104 (ish) releases in the last two years I’ve purchased 20 individual tracks. That’s not taking into account some of those releases were Quattro albums with 30 odd tracks on them each. Wouldn’t really class that (in my eyes) as prolific.

                      ScottBailey I don’t think it’s been a very good label for a long time - that’s all I was getting at. The odd good tune here and there with a lot of meh around it.

                          A lot more shite than good that’s for sure. Just seems like a back scratching label too nowadays. Even more than previously.

                          Cankles-McJeggings

                          To my mind, I would kind of expect him to use Bedrock’s current releases on Transitions, but he does it so frequently and with music that is consistently sub par that it really grates. I think the bigger problem with Transitions is that he combines it with consciously playing filler tunes that are clearly D grade tunes, keeping the better tunes for his live shows. All for reasons I understand from a business mindset, but all of it really just demonstrates that it is just about the money and he is going through the motions. Over the years, the business mindset that him and other DJs at that level has consistently stripped away the elements that made it interesting and exciting.

                              Yeh true. You look at his tracklists for transitions and compare it to his live sets and there’s hardly ever anything.
                              Where as if you listen to the early kiss fm mixes he and sasha did it’s all out guns blazing, best tunes in the box.