the production thread
Push 3 out. The MPE expressive pads look useful. Not sure how useful the other elements are but I’ve only seen a brief vid this afternoon.
apyssjw Paid about £499 for Push 2. And it isn’t that great. Push 3 has added a some additional MPE sensitivities. A few more buttons. And slightly better graphics. And they want £899 for it. The standalone looks nowhere near as good as Maschine + which is around half the price of the Push 3 Standalone.
Ableton 11.3 is out today too. A worthy addition is Drift which is a simple subtractive synth (do we really need another) with some nice ambient sounds. Can’t really see anything else worthy of note in the upgrade. Probably is some small improvements here and there. If I could be bothered to look.
I think if I was working completely ITB, I’d probably own a push. Every time I look at what they want for what it offers, I’d rather spend the money on hardware or creative plugins. The cost for v3 seems insane to me.
Henry Paid about £499 for Push 2. And it isn’t that great.
Oh yeah agree. For clip launching I prefer my original apc40. I do like doodling melodies with the pads, but everything else I could do before. Honestly I barely use either at the moment.
No way am I arranging or mixing using a stand alone box. I need a bigger screen not a smaller one.
Still happily on live 10.
Snagged Mixbox for $29. A fun little fx rack for all kinds of duties that completes my fx rack collection next to Guitar Rig & Snapheap. Each having their own sound. Mixbox leaning towards “analog sounding”.
Eventide Quadravox for free at Plugin Boutique using code: 3sMZIDk3
Morty-C-137 Nice one, thanks.
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I have experience in writing “club” tracks and ambient works.. but mainly the former could no longer interest me much the past two years or so to a point where I could just not be bothered to make one.
About a month or two ago I sat down to write a more “electronic” pop of the EDM persuasion (I guess.. I’ll leave the pigeon-holing up to others). I’m leaning more to the pop side for this because of the short sections and getting to the point quickly.
After it was done I let it rest for a month or so and listened back and decided there was nothing more I could do at this point in time to improve upon it (till the next track).
Side note: this is prob the worst demographic to pitch this stuff to though
Free dynamic EQ from Melda. Usually £49 or something. I had been waiting for Track Spacer to drop in price, but this looks like it does something similar, when trying to deal with frequency masking issues etc
If you haven’t installed any of the Melda stuff before, the install is something like 600Mb. But you basically toggle off everything you don’t need so it’s not really bloatware.
https://www.pluginboutique.com/product/2-Effects/16-EQ/1102-MDynamicEq
Morty-C-137 I’ve been working on shorter 4/5mins style tracks, with perhaps a more traditional ‘songwriting’ sytle arrangement. All helpful to grow the arrangement muscle.
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and ..
released the album I’ve been mentioning for a while. Still not got to 303s latest yet (but I will!).
Should probably mention that the arrangement of a couple of tracks were ‘mentored’ by Funk D’Void during lockdowns - tracks 4 and 7.
apyssjw Very much so yes.
apyssjw Nice one. Congrats the the LP.
Cheers both. Definitely think its my best / most interesting. Am laying the groundwork for the next one - no doubt coming 2025 at the earliest
apyssjw how much did you pay for mastering, ball park?
mono-stereo https://begin.lhaudio.com/preise
I always use the more expensive analogue mastering and get a little discount for volume.