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11 days later

I have experience in writing “club” tracks and ambient works.. but mainly the former could no longer interest me much the past two years or so to a point where I could just not be bothered to make one.

About a month or two ago I sat down to write a more “electronic” pop of the EDM persuasion (I guess.. I’ll leave the pigeon-holing up to others). I’m leaning more to the pop side for this because of the short sections and getting to the point quickly.

After it was done I let it rest for a month or so and listened back and decided there was nothing more I could do at this point in time to improve upon it (till the next track).

Side note: this is prob the worst demographic to pitch this stuff to though 😆

    Free dynamic EQ from Melda. Usually £49 or something. I had been waiting for Track Spacer to drop in price, but this looks like it does something similar, when trying to deal with frequency masking issues etc

    If you haven’t installed any of the Melda stuff before, the install is something like 600Mb. But you basically toggle off everything you don’t need so it’s not really bloatware.

    https://www.pluginboutique.com/product/2-Effects/16-EQ/1102-MDynamicEq

    Morty-C-137 I’ve been working on shorter 4/5mins style tracks, with perhaps a more traditional ‘songwriting’ sytle arrangement. All helpful to grow the arrangement muscle.

      and ..

      released the album I’ve been mentioning for a while. Still not got to 303s latest yet (but I will!).

      Should probably mention that the arrangement of a couple of tracks were ‘mentored’ by Funk D’Void during lockdowns - tracks 4 and 7.

        apyssjw Congratulation on the album. 😀
        Really enjoyed that. I imagine Mr Lieb enjoyed mastering it as well.

          Henry

          mono-stereo

          Cheers both. Definitely think its my best / most interesting. Am laying the groundwork for the next one - no doubt coming 2025 at the earliest 🙂

            apyssjw I hope you’re proud of the album, it’s really well done. I enjoyed the breaks, the leads are cool, it’s all put together very nicely.

              apyssjw That seems like good value. What are the main differences you notice after mastering?

                apyssjw …congrats man, no mean feat getting an album’s worth of material together.

                Liking the intricate perc on ‘Dimensions..’ and ‘High Hyper Sonic’… good work!

                  Unbroken1 Thanks. Really enjoy working with breakbeats and feel I’ve made a lot of progress in the last few years. ‘Dimensions…’ beats are predominantly cut up audio samples, whereas ‘High Hyper Sonic’ is midi based (albeit with the patterns pulled from samples). 🙂

                  mono-stereo I ask the mastering engineer to tell me whats he thinks needs correcting before they do their job. You hope you are getting better when there are less and less requested amends.

                  The your confident you can ask for a specific character for the master. There’s a little blurb on it here

                  https://begin.lhaudio.com/mastering

                  You do sometimes hear elements which you didn’t actively hear post master which you then want to either remove or drop in the mix.

                  Probably the most positive difference, for my ear, is a widening of the stereo spread.

                  14 days later

                  All my factory pack files are missing in Ableton - they’re listed in the collection element on the left hand side, but says “The file could not be read. It may be corrupt or not licensed”. I’ve re-authorised at Ableton.com, but that didn’t work. Everything worked fine a little while ago, I’m currently working on a project with files from the factory pack like 909 Core Kit (and they all work fine), but it won’t let me start a new track with the 909 Core Kit, or anything else. I’ve sent a ticket to Ableton, but if anyone has any ideas, I’d appreciate it. Really annoyed.