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  • the production thread

303abuser …thanks man! bit of a departure for Mango, as they are definitely out-and-out modern PROG, and I see my version as a bit more housey, Guerilla-style old progressive.

It’s a strong package with the other versions tho IMO.

      Unbroken1 I was listening to the deep dish yoshi mixes on the weekend, this would fit well with that sound for sure.

        303abuser

        303abuser I think it gets better with each track, so I’m not sure if people with stick with it to give it a chance

        The stats for my albums all show a drop off from first track to last - which is understandable.

        303abuser I think the last 2 or 3 tracks are the best we’ve written over three albums.

        Excellent. Any particular processes / synths you were using?

                apyssjw I’ve seen the same with every album, which sucks because I feel like the end of my albums are always the best tracks. To be expected in a low-attention span environment I guess.

                I don’t think there’s anything particular with them, maybe more of a specific melodic focus, I think we’re just getting better at it. A lot of the solo stuff I have done though is really influenced by the space echo pedal I bought. More hardware and dub-style mixing jams that I’ve cut up and resampled into proper arrangements. It’s been a fun way to work.

                    303abuser I feel like the end of my albums are always the best tracks

                    Absolutely this.

                    303abuser It could be all of the noise that I’m used to working with, but your mixes always sound really clean to me.

                    I’ve actually been trying to have a ‘messier’ sound in some of my recent production - trying to humanise things a little more.

                          apyssjw I’ve actually been trying to have a ‘messier’ sound in some of my recent production - trying to humanise things a little more.

                          I think I’ve spent the better part of the last 7 or so years learning the “rules” and structure of how to make music and now I’m just starting to figure out how to break those rules in more interesting and creative ways. I used to worry way more about a lot of details (the grid, phrasing, timing) and I just don’t anymore. Recording long sections live is a good way to get out of that rigid format for me.

                          I also really like listening to and making music that works well on good headphones and messes with my head vs. aiming it at club djs, where simplicity and mono compatibility are far more important.

                              303abuser I also really like listening to and making music that works well on good headphones and messes with my head

                              = winning 👌

                                  6 days later

                                  303abuser I’ve seen the same with every album, which sucks because I feel like the end of my albums are always the best tracks. To be expected in a low-attention span environment I guess.

                                  On first listen - closing track is definitely my fav.