Was great wasn’t it.
Burma and Xpander were proper jaw on the floor moments.
Was great wasn’t it.
Burma and Xpander were proper jaw on the floor moments.
He played that and track 10 at Brixton at the Roundhouse
Smallman1 gutted I missed that . Was in NY working . Surprised he never did one over here TBH. People round here think he’s the dogs danglers . Worse than Brendan Blood …..
alistair Shame Track 10 will never be released. Unbelievable track that one is. Also, agree on the initial lockdown set being garbage but he trimmed up the Orchard and threw most of the top tracks into the sail-boat mix. Thought the boat was great, following listening of the boat and going back to Orchard . . . appreciated Orchard a lot more.
For those that don’t have any interest in Sasha’s direction during this Lockdown period . . . find the mood and disdain to be of bad taste. I marvel at his enthusiasm to drift into other genres and release some ‘subpar’ tracks which don’t align with his label.
Maybe I stand alone on this but the man played a role in ensuring 2019 a memorable clubbing year [at least] for me. Six hour - All Nigh Long gig in Brooklyn back in March, excellent couple of shows in North East USA accompanied by John in late July along with an Open to Close at CODA in Canada to cap off the year.
Again, may be late on my discovery but marvel at most of his work.
SM001 I have listened to plenty of 90s (Shelleys - Twilo) and other early two thousands mixes and none sound quite like what is featured on the Clash Mix as well as the Ibiza Sailboat tour (https://freqways.mdlbeast.com/gate1/sasha). Continue belittling me as an inexperienced fanboy as much as you want.
segwin Papua New Guinea probably a good example. He was one of the few who would drop breaks tracks intermittently to make his set different to all the others. ‘I Trance You’ probably another good example. Can’t think of many other DJ’s who championed Guerilla Records more than he did back in the day.
At least back then it was a mixture of stuff.