also billy nasty sold digweed his rekkids, as the children like to say

I am definitely billy nasty enjoyer.

james holden always been rubbish, horizons and today. same difference. whiteboy has no funk in his upbringing. too much oxford university nonce crowds have surrounded him. shame noone in prog mafia liberated him from such a noncey town. but what can one say.

    ali-star …lived in Camden andI was a Zoom regular and mine and Mr Nastri’s musical tastes aligned for a short (and excellent!) period, not convinced what he ‘moved on’ to was all that though, remember him pushing a lot of thumping industrial Euro trance for a while, before he progressed into his Dave Clark ‘serious techno’ phase.

    I’ll def enjoy that mix you posted by the way… flicking thru it, Leftfield dub of D:ream, Dome Patrol etc. proper!

      Quality DJ and proper sound bloke.

      Unbroken1 dave clarke serious techno phase is good. after all 2000 dark prog was just cheap knock off of morph - stormwatch from 1994! do not even deny, have a listen and see that digweed was for certain, 6 years too late.

      The James Holden track that Alistair posted is absolute fucking drivel.

      • Amps replied to this.

        Thing I liked about James Holden was that he had a very unique sound. I don’t think he needed to venture too far from that, but instead he went on a completely different trajectory. Now you can click on any track of his on BP from 2003 onwards and it’ll guarenteed to sound like a year 11 school music project

          Drawing the most tuned in crowds and making the best music. Truly his peak.

          Have never heard a track that’s 51 minutes long tbf.

          • Dan replied to this.

            His Balance mix was a corker. He disappeared up his own backside when he started to faff about with modular synthesis.

            ScottBailey it was dead by 2002. even digweed started to play proper electro like pollon - lonely planet on scopex. but then never dug deeper, like britishers in general. nothing but mediocrity in the dancehalls. in fact the other side of that scopex tash plak was better, authentic xenomorphing gender abolitioning electro, no nick cleggs big knob in the view of the mirror. But again, lazy south coast djs. what can one say?