I was going to say that either you’re a massive troll, or that you need your ears tested. But then I realised you must be Flares and so it’s clearly both.
Anyway, it’s likely futile but I still might as well quickly tear this down:
[deleted] After all, who was playing Midimiliz - Trace Function in 2005 outside of the psytrance scene? Peak time wrecking ball prog, that one.
The riff and the beat is pure electro house.
[deleted] how could you, for instance, dare to deny that this is quintessential gu013 material, only updated to take account of the technological advances of laptop production in 2007?
It doesn’t require much to “dare” to point out that the misstress barbara track is a limp, ping-pong ball beat, melodic minimal track with yet another metallic electro lead, which has absolutely zilch to do with gu013.
[deleted] pure 2010 peak time wrecking ball prog
LOL - this is the funniest one of the lot. 118 bpm slo-mo glitchy crap = “peak time wrecking ball prog”?!?!?!
[deleted] It is only recently that your friends mr smallman have realised the error of their ways and are now returning to peak time wrecking ball prog. for instance:
This is also a highly amusing part, because in referencing Avalon Emerson you actually have managed to mention someone who now sometimes plays fairly close to the mid-late 90s prog trance sound, yet you posted an older track of hers which doesn’t really encapsulate this (her sound does move around a bit and she can be quite eclectic mind). If you wanted to actually post an example of it then you should have gone for this:
[deleted] Holden kept it alive well into the late 2000s.
It’s just nonsense. ‘Come To Me’ was the last real prog track he made (which in 2004 was in fairness pretty late for the genre). One could even argue it was actually ‘Nothing’ in 2003 and that ‘Come to Me’ was already a blend with the more minimal and glitchy stuff he was heading towards.
But yeah, from that point with his Border Community stuff he disappeared up his backside with the more minimal/electro stuff along with everyone else. You posted a track from his 2006 ‘At The Controls’, but that mix was an example of him having almost entirely jumped the shark from the, already fairly minimal but still prog-laced 2003 Balance mix, to an overly noodley minimal style.
