My Lexicon is an absolute hall of famer. If Voorn had a hand in that as well then he’s my man 
GU 043 Joris Voorn Rotterdam
jonattonyeah Penis out for me, Ed.
One of the great transitions.
And IIRC Dutchy was there to see it live.
Lucky bastard.
A behemoth of prog that track.
My understanding was that he wanted more birds in the crowd so he adjusted his sound accordingly. But then he made “The Fruit” which to me says he wasn’t trying making music for anyone at all.
303abuser the mix from space manoeuvres into sacred on gu013 was always one of my favorites. never got to see sacred live unfortunately.
Me too, it’s the venn diagram equivalent of a brilliant mix of two superb tracks which results into a moment of jaw dropping stupendousness.
This is Dom Phillips signing out.
My first night in Ibiza. Belter
Mein gott.
What an introduction.
Echo According to Chris Scott, of Lexicon Avenue, Voorn was behind a lot of Kleinenberg’s early work…
Sure I have mentioned this before… maybe a year after the Four Seasons EP came out he played the courtyard at Cream, a two hour set, the whole thing was acetates from Heathmans, all his own tracks, stuff he said he was road testing. I remember it being brilliant prog, place went off… not a clue if any of it ever made it out as a release.
SOUND THE MUSAK KLAXON 
- Edited
Interesting take. Kleinenberg was billed as the “New Sasha” when he hit the scene. Destined for greatness. I remember him and Sasha went back to back at Gatecrasher, that was a fun night.
Always though it was weird how his style completely changed.
mono-stereo media hyperbole. Sasha put his name to more good records in 1993 alone than Sander’s whole career
Yup. This was just before the death of the “super club” when everyone was losing their bananas.
Superb E-Mix.
mono-stereo Kleinenberg was billed as the “New Sasha”
I remember when Mixmag did a double page spread on Marc Vedo, claiming he was the new Sasha. He must’ve taken a nose dive after that article.
mono-stereo oh yeah. I was a huge fan. He was a resident at Arc in Manhattan. Club was so old that they could do 18+ so I was able to get in. Awesome nights all in all. One thing that always struck me was that in all of his interviews he NEVER talked about making music. Seemed odd for a guy who became known because of his productions. He finally addressed it in some mag and said “errr I am a tuff critic of my music, and I never think people want to hear it.” Like wtf??? Super suspect, and I 100% believe someone else coproduced his four seasons shit, if not just straight up made it for him.