Most Enduring Commercial Mix Comps
Errr 140 bpms was thee thing pre covid and has endured thru lockdown it would seem
zackster I was thoughtless when creating this thread, and for that I apologize. Because of my cavalier behavior, I have forced everyone to confront the fact that prog, its Djs, and unfortunately its fans have all aged like shit. Years of forgoing timeless Roland groove boxes for over processed DAW samples have left the prog cannon mouldering with the JNCO jeans you wore to listen to it.
Conversely, techno is as relevant as ever, which I can only imagine adds salt to the wound. Don’t let that get you down! If you can still enjoy 16 bars with out a single hi hat then I say bully for you. Enjoy it. If I had the nerve to put a glue coated bag over my head for 15 minutes, I would assuredly join you all in your twilight utopia.
Bit like your thread ideas there and your music opinions; that comment started out well but after the first sentence decended into mindless incoherent dribble.
Matty i really tried to qualify that i wasn’t implying that in my original post. maybe he could mix, but he was just too lazy? i’m not sure. only saw him live once and after 5 hours in line due to a horrific promoter, i was a bit of a gong show by the time he went on and he could’ve played pretty much anything.
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Jacques Lu Cont’s Fabric is one that has a certain timeless quality. Track selection and flow superb He had the midas touch before he turned his back on dj’ing.
Diggers will be reading this thread and gnashing his teeth. Wait ’til he’s gigging again and plays in Zack’s home town…
Oakenfold was never a great mixer, the Oakenfold power move around 1996-98 was he had loads of great records, before anyone else.
zackster i’m going to preface this comment with i really like this mix and i’d love to experience it on the dancefloor.
my main take away from this in the context of this thread is that prog moved on and evolved into other sounds (for better or worse) and that’s why you think it all sounds dated. techno (proper techno, not the commercial/big room nonsense) remains basically unchanged over the last 25 years. i assume that’s a good thing if you like the sound (and i do).