If Global Underground was the England football team, I present to you the Jordan Henderson of Global Underground: -

Few people understand it’s presence, even fewer believe it’s any good. @alistair probably loves it………….

    Don’t forget his later releases. Naples and Bangkok. They were really poor

      ScottBailey

      zackster

      Obvs that’s normal for all commercial comps. There’s a scene in ‘Getting Away with It’ where the fatlads talk about (from memory) how they aren’t paying that much for a track for GU13.

      There was also an interview with Sasha in one of the mags where he ran through each of the tracks on GU13 pre-release. It didn’t have Perception in the CD2 tracklist (obvs pre Notting Hill Carnival) and had this in its place

      Uses the same key sounds as Zoe (and is Ibiza themed!) but Perception is Perception innit.

        apyssjw thanks for that! I’ve always wondered what the original draft looked like, but fidn’t know Sasha had talked about it in a mag.

        This track would have fit soo much better than C&S!

          Dubman I like Perception, I just don’t think it follows Zoe very well. That Galaxy track after Zoe and before Fly works better in my opinion.

          Also, Perception would have been great in replacement of Heaven Scent. Again, only my 2p.

            Perception is a mint track

            Echo Biggest load of waffle I’ve read in a long time.

            Lol!

            zackster Disc 1 is the worst mixed cd I’ve ever heard.

            Zackser’s having an absolute reg!

            • Dan replied to this.

              Oakey’s 007 is fucking brilliant and anyone who thinks otherwise is a mahoosive looser.

                ScottBailey

                100%.

                Loved Perception as a tune, but felt square peg / round hole at this point in the mix. Always felt it would have worked better at the end of the mix…

                  lol disc 1 of NY is so insane. It’s as if he’d never heard a single one of the records before, and had only just watched a 20 minute youtube video on how to dj with vinyl! before stepping into the booth. Every single transition is one of those ones that all budding djs remember where you don’t fully get it until you hear both records coming out of the speakers and you’re like ooh fuck these don’t work, and you quickly get out of the first and into the second as fast as you can. You also get at least one of those moments where you think both records are working, but get so stoked on yourself that you forget to use EQs, or any of the controls really, and the record you meant to mix out of just suddenly stops. iircc there is even one of those transitions were you just can’t get the bpm right, its always to fast or slow, and you hit that moment were the record that’s playing has gotten all the way to the point when it’s just a kick drum and your like aaah shit gotta get this on asap! So from a technical point of view, it is an astonishing mix, i will give you that.