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  • Wrecking Ball / Peak Time Power Prog - Best Example Needed

Thats the one. 12 × 2 with a Rob Rives mix

This was always a personal prog fav that never seemed to get much recognition

jonattonyeah “Love In Traffic” is also an awful, awful record.

There was a lot of dross with this sound, see Creamer and K, but I liked a lot of the moodier stuff for early doors warm ups; far more interesting than listening to Lawler play some fuckin bongo loop. Some of the stuff Deep Dish where playing at the time was boss. It aint wrecking ball, so shouldn’t be in here, but it has a place imo.

    zackster He would throw all ages parties in Philly

    I have a good friend from Baltimore and he would tell me of such things, much to my amusement. Back in 1995 they sounded quite quaint / odd. Think he was in Winks circle of friends before he moved over here.

    Amps
    Agree. Moodier, dubby housey shit always boss early doors.

    45 minute plodders a poor imitation

    zackster Ed typing “play Creamer and K” into a text on his Nokia and holding it in front of Wink for 20 minutes.

    “Bust out some Peace Division Josh”

    Mad_Cyril I associate this track with powerful BANGERS. Thats it. It used to blow the fucking face off me.

      Dance floor reaction to this surprised me (although was sped up to 124)

        NasserAlazzawi although was sped up to 124

        Wow, all the way to 124?!

        I hope you passed out seatbelts and sick bags to the audience.

        Here’s a photo Nas had taken on his holidays of him on a rollercoaster:

          zackster seen the liberator djs at a few raves over the years

          Used to hammer this back in the day!

          hugopal great track, seen deep dish play it in a 6 hr set in amnesia, place got up ended

          Amps Creamer and K

          I agree, with the exception that wish you were here was a great record.

          • Amps replied to this.

            303abuser be interested to know what you would call it. To me it’s not deep house or Prog. It fits nicely in between some Prog sets. It’s like it has some of the characteristics of techno without it fitting into the main slew of modern techno so easily.

              NasserAlazzawi Deep house is pretty close, but that’s why i say the debate is pointless. There’s too much crossover in a lot of records and places like beatport have bastardized “classic” genres so badly, that none of it makes sense anymore.

              Most of what I make is inarguably dub techno. But I would be hard pressed to figure out what is techno about a 108 bpm record that’s mixed with a low passed kick, few drums, and the chords set forward. Basic Channel was techno, Maurizio probably, but Fluxion or Rhythm & Sound?

              hugopal I was saying your face is straining so much I’m concerned. You are of no help, you just want to argue and oppose and that sadly seems to be your life.