Disc 2s of Superior Quality
It’s September 11 2001, the second plane has hit The World Trade Center
It’s September 18, 2000, Ed and Dazzler have just walked into The Lime Light. The Klubheadz Remix of Burning comes on. Their tops come off.
Darren wearing a hi-vis vest with ‘Costain’ written on the back as ’that’s what ravers do, innit’.
Ed: What yah got there Daz?
Darren: Poppers
@Smallman1 serious question: Ibiza disc 2 or London disc 2?
Lol, behave, you know the answer!
I’ve probably said similar on here before, but overall I prefer Disc 2 of Hong Kong to Disc 1.
Even though Disc 1 has some better individual tracks (Tribe & Trance, Baguio Track, Cevin Fisher etc.), it jumps about a bit too much, and the last two tracks don’t really do it for me.
Disc 2 though is completely hypnotic and expertly put together. It’s so good that I can almost forgive Diggers for not including the original mix of Stoneproof.
I love the fact Zachster has gone through this thread again with a fine-tooth comb.
BlainSA isn’t it mixed in protools?
mono-stereo It’s beatmatched but that’s not what I’m getting at.
CD1 is well above CD2 for its layering and flow.
I’m with Hugo - I think people are just wanking over the mix from Music saved my life to Useless.
CD2 is clearly the better flow with Diggers ’Pulls off dangerous track combinations with a rally driver’s cool’
Best mixing/programming of any two tracks is definitely on CD2.
CD2 of Sasha #013 that is!
‘Bluefish - One’ into ‘BT - Mercury & Solace’ has never been bettered in my opinion.
ScottBailey Such a simple drop, but works brilliantly.
<Insert people wanking all over Space manoeuvres into Sacred from Disc 1 here>
or the panache of tenaglia gliding beautifully between mk’s burning and schiller’s ruhe
ScottBailey Best mixing/programming of any two tracks is definitely on CD2.
CD2 of Sasha #013 that is!
‘Bluefish - One’ into ‘BT - Mercury & Solace’ has never been bettered in my opinion.
I’m pretty sure I’ve also commented on here before that it’s my fav single transition from any of the GUs.
Dan absolutely. Having tried to recreate it since, it was the first time I really realised that most (if not all) the GU’s were studio mixed, as it’s impossible to do on vinyl without a loop. Guess I was either naive, or in denial to thinking they were all live mixes “based on a GU show”.
hugopal great minds…
ScottBailey isn’t it also an exclusive version of Mercury & Solace anyway?
hugopal no, it’s just the dub mix. Most of the download sites only have the vocal version, but I did manage to find it somewhere
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Both disks of Hong Kong are incredible IMO. Brilliantly aggressive .
Amhran in the 7th Phase (Ferr’s Subliminal recut) has to be one of the most wonderfully hypnotic pieces of trance ive ever heard.
The Sphere track from Hong Kong reminds of Renaissance at the Cross. Boss track.
Dan Brancaccio & Aisher remix for me. Sounded great on one of my favourite “live” essential mixes of all time, Chris Fortier @ Giant 2001
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One of my favourite tracks off any GU. Pure understated perfection
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BlainSA The first mix on CD1 beats anything on CD2. Kinda goes on from there with great key changes and atmospheric building with the mixes.
The only ‘adventurous’ mix of CD2 is NYFM into Persuasion.
Am with Blain here. Disc 2 is just a series of big room prog tracks. Very much Digweed’s attempt at doing what Sasha did on the prior release.